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Birth Name: |
Kate Elizabeth Winslet |
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Birth Date: |
October 5, 1975 |
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Birth Place: |
Reading, Berkshire, England, UK |
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Height: |
5' 8" |
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Sex: |
F |
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Nationality: |
British |
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Profession: |
actress |
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Education: |
Redroofs School in Maidenhead,
U.K. |
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studied at drama school in UK |
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Husband/Wife: |
Sam Mendes (director; b. on
August 1, 1965; married May 2003; separated March 2010), Jim
Threapleton (assistant director; b. in 1974; met during
filming of Hideous Kinky in 1997; engaged October 1998;
married November 22, 1998; divorced September 2001) |
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Relationship: |
Rufus Sewall (actor; born on
October 29, 1967; broke up in 1996), Stephen Tredre (actor;
born in 1963; died in December 1997 from bone cancer at age
34; together until 1995) |
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Father: |
Roger Winslet (actor) |
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Mother: |
Sally Winslet (née Bridges;
actress, nanny) |
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Sister: |
Beth Winslet (actress; born in
May 1978), Anna Winslet (actress; born in 1972) |
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Brother: |
Joss Winslet (born in 1980) |
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Grand Father: |
Oliver Bridges (theater manager) |
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Grand Mother: |
Linda Bridges (theater manager) |
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Uncle: |
Robert Bridges (actor) |
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Son: |
Joe Alfie Winslet Mendes (born
on December 22, 2003 in New York; father: Sam Mendes) |
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Daughter: |
Mia Honey (born on October 12,
2000; father: Jim Threapleton) |
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Claim to fame: |
as Rose DeWitt Bukater in James
Cameron Titanic (1997) |
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sA luminous English rose with ivory skin
and strawberry hair, Winslet made an impressive feature debut as
Juliet Hulme, an intelligent, spoiled and sickly teenager who helps
murder her best girlfriend's mother in Peter Jackson's acclaimed
"Heavenly Creatures" (1994). A third-generation thespian, the Reading,
England native began studying drama at the age of eleven. Winslet
began her career almost immediately when she was cast as a
spokesperson for a cereal in British TV commercials. Stage roles
followed, including the female leads in a musical version of "Adrian
Mole". She made her TV debut in the drama "Shrinks" and her resume
also includes a recurring stint on the sitcom "Get Back".
Winslet landed the role of Juliet in "Heavenly Creatures" after an
impressive audition. Her on screen performance marked her as one to
watch: she was riveting as the tubercular, highly intelligent teen who
develops a strong rapport with a fellow student, allowing the pair to
create a fantasy world and, when threatened with separation, conspire
to commit murder. Winslet then played a princess in Disney's "A Kid in
King Arthur's Court" (1995) before winning raves and an Oscar
nomination as Best Supporting Actress for her subtle performance as
the spirited Marianne Dashwood in "Sense and Sensibility" (also 1995).
Winslet continued to appear in period pieces with "Jude" (1996).
Adapted from "Jude the Obscure" by Thomas Hardy, the film featured
Winslet as Sue, the title character's unconventional cousin whose
mercurial nature creates problems. Later that year, she was Ophelia to
Kenneth Branagh's "Hamlet", in the actor-director's all-star feature
version of the Shakespeare classic.
Moving from Shakespeare, Winslet adopted an American accent as a
Philadelphia socialite who finds unlikely romance with a lower-class
artist (Leonardo DiCaprio) in James Cameron's spectacular "Titanic"
(1997). More than just a film, "Titanic" became a phenomenon: grossing
more than $600 million and earning 14 Oscar nominations, including one
for Winslet as Best Actress. Her onscreen chemistry with DiCaprio had
a cross-generational appeal and the young actress found herself on
magazine covers and fodder for the tabloids. Rather than become
confined to Hollywood blockbusters, though, Winslet accepted roles in
two rather small films that both shared some similarities in that they
revolved around a spiritual search. "Hideous Kinky" (1999) cast the
actress as the mother of two young daughters who packs up and heads to
Marrakech seeking wisdom from a Sufi while "Holy Smoke" (also 1999)
saw her portray a cult member whose family hires a deprogrammer. Both
roles allowed the young actress to display her emotional intensity and
daring range, as well as to play relatively contemporary characters.
In 2000, it was back to the petticoats as Winslet portrayed a
laundress in the asylum of Charenton who colludes with the
incarcerated Marquis de Sade to help smuggle out his writings in
"Quills". Once again, the actress demonstrated her remarkable gifts
for playing intelligent and sensual characters, and to continue to
reveal her utter fearlessness as an actress, unafraid to explore dark
corners and push conventional boundaries. In "Enigma" (2001), the
WWII-era spy drama in which she co-starred as a mathematician working
on breaking the German code, she took a role that was less emotionally
charged and edgy, instead more subtle. Again she showed a gift for
believably thinking on screen in the contemplative drama. "Iris" (also
2001), in which she essayed the youthful incarnation of the British
philosopher and novelist Iris Murdoch, was a return to form (although
she split the role with Judi Dench, who played Murdoch in her
Alzheimer's period, a juicier era for an actress to explore).
Nevertheless, Winslet caught Murdoch's unconventional, free-spirited
youth and realistically portrayed her romance with her eventual
husband. Her work brought the actress a third career Academy Award
nomination , this time as Best Supporting Actress. Winslet next
appeared as Elizabeth "Bitesy" Bloom, an ambitious reporter
investigating the case of a death row inmate in "The Life of David
Gale" (2003). Winslet was praised for her performance, but it couldn't
overcome the bad feelings engendered by the film's overwrought,
unconvincing story and the overkill behind its anti-death penalty
message.
The full-figured—and, after childbirth, zaftig—Winslet proudly refused
to conform to the typical Hollywood standard for extreme thinness, and
her fan base loved her for it—not only was she happy with her figure,
she unabashedly displayed it in several films and spoke openly of
defying her industry's physical expectations. A small firestorm
erupted in 2003, however, when a radically thinned-down Winslet
appeared on the cover of GQ magazine. It turned out that the actress
was digitally slimmed by photo retouchers, but she blamed the
controversy on herself for being so outspoken on the subject—still,
she claimed she had no plans to change her own natural shape.
In 2004 Winslett took on another free-spirited role for "Eternal
Sunshine of the Spotless Mind" playing Clementine, the ex-girlfriend
with the multicolored hair whose break-up with her repressed boyfriend
(Jim Carrey) prompts him to undergo a procedure to erase all trace of
her from his memory. Again employing a flawless American accent,
Winslett turned in a rich, multi-layered performance in one her best
films to date, though it was not a major box office champion. The role
did, however, earn the actress several award nominations: she was
given nods by the Screen Actors Guild, the Golden Globes, and the
Academy Awards. In "Finding Neverland" (2004), Winslet was on top of
her game once more, playing Sylvia Llewelyn Davies, the widowed mother
of four boys who, along with her sons, becomes the muse for "Peter
Pan" author J.M. Barrie (Johnny Depp) and whose life takes a tragic
turn. |